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Beyerdynamic DT 72 IE: Two-minute review
The set I have under review here is the DT 72 IE, “for guitarists and singers”. These IEMs boast a “subtly tuned bass” so as not to overwhelm during performance. The optimized frequency response here is also listed as between 200-500 Hz to compensate for the occlusion effect. This is a known issue wherein the perception one’s own voice is too loud, hollow, or even boomy due to the ear canal’s obstruction (with said IEMs, funnily enough) and the trapping of sonic vibrations within.
What of the rest of the range? DT 70 IE is billed as the set “for mixing and critical listening”. DT 71 IE is “for drummers and bassists” with a sound signature that Beyerdynamic says “enhances low frequencies while ensuring detailed reproduction of cymbals, percussion and bass guitar overtones”. DT 73 IE is the pair for the orchestral musician, pianist or keyboard player, with extra care taken on treble overtones (there’s a subtle boost from 5kHz upwards).
I think it’s fair to say that given the asking fee of whichever set you pick (which is $499, or anywhere from £431 to £479 in the UK, so around AU$900) these are IEMs for the successful musician – something emphasized by acclaimed jazz pianist, gospel artist and producer Cory Henry and Gina Miles (winner of The Voice Season 23) who both agreed to help showcase the new products in January of this year.
Am I qualified to give these singer-specific buds a thorough appraisal? I’d say so. It’s been a while, granted, but I’ve performed in several big musicals, films, and a fair few gigs over the years, often with a trusty pair of cheap and cheerful Shure SE215 in (or hanging out of) my ears. Hey, I sang solo and covered leads, y’know…
The Beyerdynamic DT 72 IE are not like my old Shure workhorses, though, reader. This is what I would have bought myself if I’d been making something other than a lowly performer’s wage, and/or had the promise of work engagements lasting for more than six months at a time. The latter is something not even the best of us regularly gets… and I was far from the best.
But let’s put the delicate topics of coin and talent to one side. The DT 72 IE are very well made. The case is fabric but pocketable and holds its shape – the 1.4m cable will not tangle, is near-silent and comes with a 3.5mm termination and 6.35 mm adapter. The headshells are beautifully small. Your accessories are also resoundingly high-end: alongside the five pairs of silicone ear tips, you also get three in Comply memory foam (which I’ll always go for, if they’re offered). You even get a spare set of earwax guards and detailed instructions on how to switch them out, if and when the need arises.
You’ll need to shape the ear hooks yourself, but once you take a moment to get it right, I found them very comfortable and also hardly noticeable (from a visual perspective) once in my ear. So far, so successful.
What about for sound? I fired up my FiiO M23 and a few of my old audition standards. Now, I had no access to the pro mixer, mic or gain stages I used to enjoy, back in the day – so full disclosure: I couldn’t set any of that up. What follows is my analysis of the DT 72 IE as listening devices to analyze my own recorded vocals and also to record a quick demo – en route to a last-minute audition, say.
And, good grief, did I hear extra detail and even a bit of vib to be proud of in my own rendition of The Show Must Go On from 2018, sung as an aerialist/singer in a German Queen tribute show called We Are the Champions. All true, I promise.
It’s as if guitar riffs and my voice has been plucked from the soundstage and held above the mix in a surgical layering system, like items to be admired (or admonished) aside from all else. It’s exactly what your lead vocalist of axe man needs, to hone their craft and I wish I’d had them when performing every day. If I’d had the DT 72 IE, I might’ve realized I was just a touch flat when trying to reach “for waiting up there is the Heaviside layer” on that cruise ship gig…
Any drawbacks to the DT 72 IE sonically? This is an analytical listen, rather than an exciting one. From a listener’s perspective, things can feel just a little flat on occasion. This is because the bass injection has been pulled back and so, dynamically, tracks can feel just a touch uneventful. Beyerdynamic has expressed as much and offers another model for critical listening and/or mixing, but it’s still worth stating for those who want something to lay down tracks with and to listen purely for the pleasure of doing so.
Personally, I love them. If your favorite aspect of recorded music is the lead singer and/or the guitar solos, you may have found the set of IEMs for you. No, they’re not neutral – that’s the whole point.
Beyerdynamic DT 72 IE review: Price and release date
- Released on January 23, 2025
- Priced $499 / from £431 (around AU$900)
It’s important to state that the Beyerdynamic DT 72 IE are not unique – IEMs pitched squarely at vocalists exist (from companies such as Moondrop, 64 Audio and even Sennheiser) and the 64 Audio U12t, for example, costs four times as much as the Beyer product you’re reading about.
The Sennheiser IE 100 Pro, however, (a popular choice among the musicians I know) cost around a fifth of the DT 72 IE’s asking fee. So it really is a mixed bag…
Beyerdynamic DT 72 IE review: Specs
|
Drivers |
Dynamic (closed) |
|
Weight |
3g per earpiece (without ear tip) |
|
Frequency range |
5Hz – 40kHz |
|
Waterproof rating |
None |
|
Other features |
No in-line mic, plenty of accessories |
Should you buy the Beyerdynamic DT 72 IE review?
|
Attributes |
Notes |
Rating |
|
Features |
What these earbuds are designed for has been beautifully achieved – no more, no less |
5/5 |
|
Sound quality |
If picking out the vocal or guitar is what you need, they deliver. If you want to listen casually, too, they may not be for you – but that’s hardly fair |
4.5/5 |
|
Design |
Beautifully svelte earpieces and cable, only let down by the need to bend (and re-bend) the ear hooks yourself |
4.5/5 |
|
Value |
To call them ‘mid-range’ feels unfathomable, but the prices you can pay in this niche sector of the market are variable, to say the least |
4/5 |
Buy them if…
Don’t buy them if…
Beyerdynamic DT 72 IE review: Also consider
This particular product is a tad niche for TechRadar (we’re not a dedicated musician or performer site, as you’ll know) but personal experience has taught me that Shure’s 215 SE are often the entry-level option here, as are the Sennheiser IE 100 Pro – both of which are a lot cheaper than the model listed above.
Are they as good? No, that wouldn’t be fair given the dearth in price – and that’s the point I want make here: if you have the money, the Beyerdynamic DT 72 IE are very, very good for singers and guitarists.
Beyerdynamic DT 72 IE review: How I tested
- Tested across two weeks
- Used at home, listening to my vocal recordings and regular testing tracks
- Predominantly tested using my iPhone (and hi-res Flac files on my laptop)
I had to go back to 2018 (the last time I sang professionally, and the year before I became a full-time audio journalist) in the name of testing the Beyerdynamic DT 72 IE.
I revisited a time when money was tight but professional fulfilment was plentiful. I had work! Lots of it – and I also had a post-grad degree to pay for. I listened to both my own vocals (even the ones recorded quickly as voice memos on my iPhone, to learn a tricksy harmony line in rehearsal) and then to everything from Melissa Etheridge to Ginuwine – both of whom I love for what they’ve given to music.
And know this: the Beyerdynamic DT 72 IE were never uncomfortable and always enlightening during my testing.
- First reviewed: August 2025
